Childhood(s)

Les Papavéracées
Collective stage writing



CHILDHOOD(S) [ so, this has to be a manifesto]

Third play of the company, CHILDHOOD(S) is our first collective stage writing. From our own memories - the ones of kids who were born in the middle of the 1980’s -  we composed a theatrical selfportrait, as the poem of a whole generation. By doing that, we conquered and discovered unknown words and existences - our own !


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A WOMAN

Theatrical variation with the book by Annie Ernaux
© Editions Gallimard (1987)



Second play of the company, A WOMAN is the decisive encounter with Annie Ernaux’s writing. After that, we needed to SAY her words and to DO to the theater field what her words did to literature and to her readers. We had to deconstruct our own tools before rebuilding our own “ place”. For a rehabilitation of ordinary lives and ordinary people.


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F**** COUNTRY ! 

Stage adaptation of the book by Younes Amrani et Stéphane Beaud
© Editions La Découverte (2004)



First play of the company, F**** COUNTRY ! is a crucial experience for Les Papavéracées. It is about honoring a rare writing gesture (the one of Younes Amrani) and the sociological friendship that made it possible (the one of Stéphane Beaud) by inventing a theatrical language that can answer rightfully this raw political situation. Performed more than 80 times, it is still an emergency to hear those words.


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The play


To incorporate Annie Ernaux’s research into the theater field, we confronted ourselves to a drastic deconstruction of our own professional practices (as actors, stage director, light designer). We had to look deep into ourselves to find our singular writing places. From there on, a theatrical reality surfaced, strongly :  we called it  “scenic subjectiveness”. With it, came the feeling that we were committing a crime and, maybe,  “killing theater”.