The play

To incorporate Annie Ernaux’s research into the theater field, we confronted ourselves to a drastic deconstruction of our own professional practices (as actors, stage director, light designer). We had to look deep into ourselves to find our singular writing places. From there on, a theatrical reality surfaced, strongly :  we called it  “scenic subjectiveness”. With it, came the feeling that we were committing a crime and, maybe,  “killing theater”.

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