Karim

Karim Abdelaziz

jeu et écriture


Karim has made his first professional theater experiences in social centers, in public areas, with non-theatrical writings and for people who didn’t go to theater. 
From 2010 to 2019, he wrote and directed a theater group he created with young actors and actresses said to be in a situation of disability. 
In the early 2000’s, he worked for 7 years with Claude Bernhardt and the Actual Free Théâtre company. He participated to the “Chocolaterie” adventure in Kremlin-Bicêtre. It was a theatrical “factory” place that worked on principles close to what we now call “third places”. Over there, he worked on contemporary writings (not all of them belonging to the theatrical field), strongly experimenting the relationships to space and spaces. 
For 10 years, he was also part of the “Souffleurs Commandos Poétiques”, a poetic intervention group in favor of a slowing down of the world. They worked with different modus operandi and in different locations (public space, countryside, megalopolis, international tours…). 
In 2011, he performed in “Dostoïevski Trip” by Vladimir Sorokine, in the Théâtre de Vanves (contemporary stage). 
In 2014, he wrote a monologue about WW1 and stage directed himself, without any outer sight. He performed in Cahors and Paris. 
In 2016, he was part of a dance-theater creation about the prostitution universe. At the same time, he started a one year training at the Blanche Salant International research Workshop in Paris, so as to become a “novice” again. 
Since 2017, he is part of the company Les Papavéracées. He also works closely with Nathalie Texier and the company Les Gens d’Ici. He works with them as an actor and a co-writer, for creations in public areas, creations indoors, cultural actions with different people (unemployed people, in situation of disability, with plasticians, musicians…). 
In 2022/2023, he works with Aminatou Echard as co-director of her movie (about the historical records of Nicole Echard, anthropologist in Niger). They also co-directed a play in the University of Niamey from the same historical records.

Charlotte

Charlotte Le Bras

stage directing, writing, acting


Charlotte has always been attracted by theater in all of its dimensions. Practice (she was a theater school trainee for 3 years) and Theory (she graduated from the University of Provence with a research master degree). After that, she fully dedicated her work to creation, with different companies (director’s assistant to Nathalie Garraud with the DUZIEU Company; acting and stage writing with LA CABINE LESLIE; co-founder of the CHARLIE BRASQUET Company). In 2015, she founded the Company Les Papavéracées to make her first cycle as a stage director. It became “THE VOICE OF THE ABSENTEES” (2017-2023) and gave birth to 3 plays : “F…. COUNTRY” in 2017, “A WOMAN” in 2019 and “CHILDHOOD(S) [so this has to be a manifesto]” in 2023.  This cycle is a crucial theatrical experience for her and it lays the foundations for a larger personal theatrical research. This research is based on 3 inseparable elements : the social world (substance) | theater (form) | the audience (politics). 
With her theatrical language, she tries to bring out a “new” bold way of being on stage : joyful, committed and poetic. 
Charlotte is also committed in a regular pedagogical research and practice since 2014 (workshops, “shared creation”, college interventions…). She works on making accessibility to creation for everybody, everywhere real.


Honnest CV

The company’s friends

The Founders

Papavéracées Productions
Déborah Berdal
Lucie Houlbrèque
Anne Marchand
Juliette Mollero
Charlotte Le Bras


The partners

Julien Gatineau (graphiste depuis 2017)
Lucie Houlbrèque (administration de 2018-2020)
Alice Bodineau (communication de 2017 à 2019)
Manon Depoisson (diffusion de 2018 à 2020)
Fanny Spiess (développement de 2018 à 2019)
Delphine Pautre (production 2022 - 2023)
Baptiste Allepaerts


The volunteers

Maxence, Robin
L’association des parents d’artistes
Albert, Joëlle, Fabrice…


The supports

Maison du Théâtre d’amiens
Artistes associé.e.s en résidence


The associated artists

Except for Charlotte and Arthur, we didn’t know each other when we started working together. For us, it was a promise and a hope that our “deep theatrical purposes” would emerge and meet : our desire to make the voice of the absentees loud in the public area, a need to explore our theatrical tools, a will to change the (theatrical) world. Then, it also became the pure joy of being together on a stage, knowing that together, each one of us can achieve a bit of what he or she has to do !


The approach 

Artistic appoach


Charlotte has founded the company so as to make a joyful, necessary and bold theater ! One play at a time, the approach structures itself. Over time and with group spirit. Working on non-theatrical writings (for what they could do to drama), nourished with social sciences (for what they could do to the world), we made our first creation cycle. We questioned how and why some voices and some bodies are still invisible in the public area. In the process, we discovered our very own theatrical language and our very own way of being on stage.


Social approach


We work for a real artistic and cultural democracy !  We try to offer access to art and creation for everybody, everywhere, by proposing workshops, masterclasses, shared creations…So as to build new stories, new actors, new audience. Building another world is possible !


Ecological approach


Facing climate emergency, we feel that “eco-responsibility” is not enough. Deep inside us, changes are on their way and we believe it will have a great influence on our way of making theater. We don’t know how, not yet. But we will talk about “it” for our next creation cycle…


The company – quote

“I founded the company because the theater I dreamed about did not exist. For me, Les Papavéracées are the possibility of this dream.
A theater in which necessity, joy, boldness, realism, beauty, poetry and commitment can live together and sublimate one another.
A theater that does not forget about History or the social world or thinking.
A theater that fights against clichés and stereotypes.
A theater that searches.
A theater that changes (us).”

Charlotte le Bras

Support us


The life of les Papaveracées is fragile. We largely depend on public funding. Public funding is decreasing, and it falls short of building a genuine artistic and cultural democracy. Today, we are struggling to survive and continue our work.
In this context, we are launching a long-term fundraising campaign, and we need YOU.

Because:

We don't do theater alone. It's impossible. Theater is a strange thing that happens precisely between people on stage and people watching people on stage. It's the ephemeral miracle of an encounter.
We do theater with you. Women, men, of all ages and backgrounds, with your stories, sensitivities, and unique perspectives. You too are actors because you give meaning to what we do.
Theater is a living art. It circulates ideas, emancipates minds and bodies, and nurtures hearts. Each of our projects brings its share of discoveries, sharing, and learning. We come out of it transformed.
Theater is a public good. These are not just words; it is the reality we have been defending for the past 10 years with people, in territories and places that are willing to welcome us. It is a reality that needs to be fueled like a good fire and preserved as a common good.


SUPPORT US !

HelloAsso

Within your means, anything is possible!

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